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Color study for a side chapel design, with the bones of Adam and the words memento, homo, quia pulvis es (“remember, man, that thou art dust”) carved into the altar.
Partially drawn from a live model, this was a key figure for a 2016 altarpiece design proposal.
Partially drawn from a live model, this was the central figure for a 2016 altarpiece design proposal.
Inspired by the work of Perugino, this drawing was the initial concept sketch for Gwyneth’s 2016 painting, Madonna and Child with Cherries.
These holy cards feature a painting of St. John Fisher on one side and his prayer for holy bishops on the other.