Showing 1–12 of 13 results
Partially drawn from a live model, this was a key figure for a 2016 altarpiece design proposal.
One of three detailed studies completed in preparation for Gwyneth’s 2018 oil painting, St. John Fisher
Partially drawn from a live model, this was the central figure for a 2016 altarpiece design proposal.
Inspired by the work of Perugino, this drawing was the initial concept sketch for Gwyneth’s 2016 painting, Madonna and Child with Cherries.
A watercolor study of Gabriel from Pontormo’s Annunciation brightens each cream-colored notecard.
One of three detailed studies completed in preparation for Gwyneth’s 2018 oil painting, St. John Fisher.
One of three detailed studies completed in preparation for Gwyneth’s 2018 oil painting, St. John Fisher.
Color study for a side chapel design, with the bones of Adam and the words memento, homo, quia pulvis es (“remember, man, that thou art dust”) carved into the altar.
Study, partially drawn from a live model, for St. Augustine, Gwyneth’s 2017 watercolor for Pope Emeritus Benedict XVI.
These holy cards feature a painting of St. John Fisher on one side and his prayer for holy bishops on the other.
These holy cards feature a painting of St. John Fisher on one side and his prayer for holy bishops on the other.
Partially drawn from a live model, this was a key figure for a 2016 altarpiece design proposal.